On the high hills he blew those two notes once more; and all that had their sole dwelling in moonlight and river-mist, or in the deep romance that overflows from old tales… came out… and followed him over the fields and valleys
— Lord Dunsany: The Charwoman’s Shadow

About Love Sessions 2

The second of two collaborative albums, recorded in 2001 & 2003 respectively, in the medieval village of Clisson (see also Love Sessions 1)

Produced by Frederic Chaplain, co-owner-manager of Prikosnovenie

Both involving Francesco Banchini (Gor), Frederic Chaplain (Lys) & Louisa John-Krol

Other participants in each volume, such as Spyros Giasafakis (Daemonia Nymphe), are named in Credits.

Tracks & Lyrics

  • Music / Lyrics: Louisa John-Krol

    An earlier version was produced by Harry Williamson. This version produced by Fred Chaplain.

    Lyrics

    One more day away from Alexandria

    And night is long to sail –

    Rolling in a slow procession moved a place,

    A city fair and strange.

    Send the felon winds and every gust of wings

    Toward Bayona’s Hold

    Over tides of dark I’ll ever know your love

    An uncrowned whitethorn blown:

    “Fame isn’t mortal,

    Nor does it lie in rumour, nor in your pride

    But in the Laurel you’ll reign afar

    And in the Silence of youin your rain, in your garden

    In the sun on the rillin Alexandria.”

    As one so long prepared

    You’ll hear the midnight voices,

    Don’t you mourn them now!

    Don’t betray your hope, and say goodbye to her –

    Your Alexandria.

  • Music / Lyrics: Louisa John-Krol

    Lyrics

    Where are the Faerie to carry me home?

    Why don’t we flee from the love we have known?

    He’s red in clover, he’s not one of our own

    But he freed me, by the emerald stone.

    Till the air is my road again, far high again lo,

    I’ll love the man who lives under the loam,

    He’s red in clover, he’s not one of our own,

    But he played me (loves me), by the Emerald stone.

    Oh, some say you do, some you don’t,

    You say you do love me….

    Who do I believe but my Emerald

    The green incarnate who

    Gleams in my scarlet dream.

  • Music / Lyrics : Louisa John-Krol

    An earlier version was produced by Harry Williamson. This version produced by Fred Chaplain.

    Lyrics

    The maidens came when I was in

    My mother’s bower, I had all that I would

    The bailey beareth the bell away

    The lily, the rose, the rose I lay!

    The silver is white, red is the gold

    The robes they lay in fold

    And through the glass windows shines the sun

  • Music / Lyrics: Francesco Banchini / Louisa John-Krol

    Produced by Frederic Chaplain

    Lyrics

    Sweet cobbled roads of your old Cicciano,

    Sea siren nights of Napoli…

    From cracks in the stone, ash whispers of Roman Dreams

    In your sea nights of Napoli.

    Thousands of hearts made your old Cicciano

    Thousands of lovers have walked these lanes,

    Carving desire in deep silver shadows

    In your sea nights of Napoli!

    Dark dreaming eyes will promise tomorrow,

    Mountains and streams took yesterday:

    Lovers on stairs could lead you both ways

    All of them take you to the sea.

  • I am a lover, skilled in the arts of madness;

    I have drunk deeply of culture and learning

    — Rumi

    Ogni attimo vi porta nuove fronde

    e il suo sbigottimento avanza ogni altra

    gioia fugace; viene a impetuose onde

    la vita a questo estremo angolo d’orto.

    Lo sguardo ora vi cade su le zolle;

    una risacca di memorie giunge

    al vostro cuore e quasi lo sommerge.

    — Eugenio Montale, from Crisalide

    English translation of the above lines:

    Each instant fetches you fresh leaves

    and each new tremor of joy is overwhelmed

    by your surprise: life in surging waves

    whelms this farthest garden corner.

    Now your gaze falls to the ground;

    your heart, lapped by memories

    washing back, almost drowns.

    — Eugenio Montale, from Chrysalis

    We’ve crossed… cultures, joining together our hearts and feelings to give you this little jewel, hopeful that it will touch your heart

    — Francesco Banchini

    Blending our cultures through music is a gift given to us. To enjoy our differences we must try to keep our civilizations alive.

    — Spyros Giasafakis

  • Label

    Love Sessions – both volumes recorded by Frederic Chaplain in France

    Released on French label Prikosnovenie, respectively in 2002 and 2005

    Artwork

    Design: Sabine-Adelaide

    Calligraphy: Robinson Deschamps

    Production

    Recorded, programmed, mixed & mastered by Frederic Chaplain at Prikosnovenie in Clisson, France

    Video: Arno Pellerin, France

    Thanks

    Francesco, Frederic, Mandragora, Sabine, Arno, the ghosts and faeries of Clisson, our families and everyone else who made this dream possible.

    Most of this album was composed and arranged by Francesco Banchini, with many interludes by Frederic Chaplain.

    Instrumentation

    Chalumeaux #9, #14; Udu #5, #7, #14, #15; Duduk #8; Tres #2, #15, #16; Tibetan Flute #15: Francesco Banchini

    Clarinet, Percussion, Classical Guitar, Chimes, Male Voice (most songs): Francesco Banchini

    Mandolin #9, #16; Acoustic Guitar #6, #7, #14; Vocals #2, #4, #6, #7, #9, #11, #12, #16; Claps #16: Louisa John-Krol

    Harp #1, #9, #11, #17: Mandragore, France

    Djembe #1; Derbouka #5; Keyboard #6, #10; Electronic Effects/Samples (most); 2nd Voice #12, Percussion #14: Fred Chaplain

    Additional Voice #16: Hicham Bilali, with Medina’s ambiences, recorded by Phil Von in Fes.

    Credits to Louisa’s four contributions

    #6. Alexandria

    Music: Louisa/Mark Krol, after Baixa dansa Barcelona from 15th century manuscript de Bruxelles

    Lyrics: Louisa, in tribute to Cavafy’s poem The God Abandons Antony & Milton’s Lycidas

    New arrangement with Francesco / Frederic (earlier version was on Louisa’s CD Alexandria)

    Voice, Guitar: Louisa

    Second voice, Clarinet solo: Francesco

    #7. Emeraude

    Music: Louisa 1985, completed in Clisson 2003

    Voice, Guitar, Chimes: Louisa

    Udu: Francesco

    Effects: Frederic

    #9. The Lily and the Rose

    Music: Louisa John-Krol — Lyric: anon, 16th century

    New arrangement with Francesco / Frederic / Mandra (earlier version was on Louisa’s CD Alabaster)

    Voice, Mandolin: Louisa John-Krol

    Clarinet: Francesco

    Harp: Mandra

    #12. Sea Nights of Napoli

    Music: Francesco

    Lyric / Voice: Louisa

    Clarinets, Guitar, Percussion, Second Voice: Francesco

    Third Vox, Claps, other Effects: Frederic

  • “Louisa’s voice is wonderful. I don’t know any other singer with such casual control. Her songwriting is literate and lovely. I first came across her on Love Sessions I and Love Sessions II, a sort-of jam session of artists on a French label. Try to get those if you can, as well as Louisa’s solo work.”

    — News from the Other Grovem posted at www.cdbaby.com/cd/louisa, USA

    l’amitié… l’écho, cela éveille les Love Sessions: talents multiples parlant d’une seule voix. Cette seconde rencontre effectuée au sein du studio de Prikosnovénie (label basé à Clisson, près de Nantes) fusionne la créativité de Louisa John-Krol, de Francesco Banchini (GOR) et de LYS. Australie, Italie et France enfantent une culture multi-facettes dont la qualité n’a d’égale que la sensibilité de ses défenseurs… ce projet équilibre l’attention portée aux sons (‘Shofar’), libère le timbre de chaque voix (‘Quando la notte arrivera’) et hypnotise par un aveu mélodique souvent perceptible (‘La battaglia degli elfi’). Si la fée Louisa sait toujours nous émouvoir, c’est grâce à des morceaux scintillants (‘Alexandria’, le sublime ‘Emeraude’, ‘The Lily and the rose’), à sa faculté à rendre silencieux notre stress. Love Sessions se transforme parfois en murmures (‘Rivière de Lys’), en ‘Un souffle d’or’, version instrumentale énigmatique. La guitare acoustique est aussi mise en avant (‘Dendrophori’) pour caresser notre attention, sous le charme de ‘L’ultimo tramonto’ mystique. Ce conte sonore s’orientalise sous les traits de ‘Yahil’ faisant se répondre les cordes vocales de Francesco et de Louisa, le tout sur un rythme endiablé. Mais pour feindre la fin d’un rêve, rien de tel qu’un dernier écho de sobriété, une façon de rire de l’éphémère moment de liberté (‘Samsara’). Une oeuvre conçue par trois âmes guidant leur regard vers le même horizon: celui de l’émotion; une ode à la beauté…”

    — by David D’Halleine, www.felinea.com, France

    ”…Samen klinken ze als een modern wereldmuziekensemble, waar klassieke instrumenten teder gekust worden door moderne elektronica… Love Sessions 2… Louisa’s inbreng bestaat uit haar prachtig ijle stem en instrumenten als gitaar, mandoline en klokkenspel. Francesco brengt naast zijn donkere zang ook Tibetaanse fluit, (Cubaanse) gitaar, klokkenspel, klarinet, udu (Nigeriaans drumvat), duduk (Armeens blaasinstrument), chalumeaux (Middeleeuws blaasinstrument) en diverse percussie instrumenten. Fred voorziet het geheel van samples en speelt onder meer djembe en derbouka. Het is wereldse mix geworden van Middeleeuws getinte muziek, ambient en folkinvloeden uit Italië, (Noord) Afrika en Armenië. Ze doen naast hun eigen projecten dikwijls denken aan Dead Can Dance en qua zang soms aan Loreena McKennitt. Maar door de brede inzet van de diverse genres creëren ze een eigen geluid dat wonderschoon is.”

    — by Jan Willem Broek, /Senzor/Radio100/Subjectivisten/OOR Popencyclopedie, The Netherlands

    “…El artista italiano y la cantante australiana, tras acabar su tour… decidieron hacer una.. parada en los estudios de Prikosnovénie y, bajo la dirección de…Frederic Chaplain y acompañados por la arpista francesa Mandragora, revivir la experiencia iniciada con la primera parte de estas Love Sessions… Es inigualable este encuentro entre dos grandes músicos de nuestra era; dos artistas veteranos dentro del panorama del neofolk, las heavenly voices o la música medieval. John-Krol, que ya es todo un clásico dentro del sello francés, a lo largo de sus 5 discos siempre nos ha demostrado que el pop y el folk forman una perfecta pareja. Banchini… se ha convertido en uno de los pilares del neofolk y la música antigua proveniente del sur de Europa gracias a su prolífico proyecto en solitario, Gor, y a sus colaboraciones con bandas de la talla de Ataraxia. En esta interesante velada los dos artistas dejan que la magia fluya a través de sus instrumentos y sus voces convirtiendo el evento en una sublime muestra de su potencial y calidad. Hay temas originales de John-Krol, algunos de Banchini y otros especialmente compuestos para la ocasión. Un ejemplo es el estupendo ‘Quando La Notte Arriverà’, un dulce canto romántico a dos voces, cantado en italiano y con esencias mediterráneas, todo ello guiado por un suave clarinete. La canción que sigue a esta última tampoco tiene desperdicio: algo más intensa, ‘La Battaglia Degli Elfi’ es un tema épico de cánticos celestiales y murmullos adornados con los sonidos de una sangrienta batalla. Otro tema destacable es ‘Emeraude’, un excelente tema folk pop de voz femenina… También la mágica ‘Riviere De Lys’, en la que las dos voces se unen en cantos hipnóticos, sutilmente arropados por el arpa. Louisa John-Krol se reconoce la bonita ‘Alexandria’… ‘The Lily And The Rose’, basada en un poema del siglo XVI. Cabe destacar el remix de ‘Shofar’… con cánticos árabes y guitarras acústicas y… una de las mejores canciones del disco, ‘Dendrophori’, cantada por John-Krol con Banchini en segundo plano, acompañados por el clarinete y la guitarra. La verdad es que todas las canciones son dignas de mención, ‘Yahil’, ‘Sea Nights Of Napoli’, en fin, todas valen la pena en esta impresionante grabación. Como extra, y por si el disco en sí fuera suficiente, el CD incluye una pista de video… donde se incluyen momentos de esa gira del 2002, alguna entrevista a los músicos, así como escenas de la grabación… Un bonus que acaba de completar un trabajo excepcional. En definitiva, un concierto acústico de folk mediterráneo con esencias orientales, lleno de sugerentes voces y instrumentos antiguos, que resulta una experiencia única… Love Sessions 2 es una obra altamente recomendada que no defraudará a nadie.”

    — by Mentenebre, www.mentenebre.com/articulos.php?op=verarticle&artid=72, Italy / Spain

    “After the first Love Session, with… Daemonia Nymphe, Lys and their European tour 2002, Louisa John-Krol and Francesco Banchini (GOR) recorded in France in Prikosnovenie Studio this second volume… in medieval city of Clisson: 16 tracks directed again by Lys (Frederic Chaplain)… atmosphere is heavenly with… Louisa’s exquisite voices and Francesco Banchini’s mystical instrumentations. Another time the music lambs Mediterranean, Provencal and Celtic lands in remote ages. The French harp of Mandragora added to the melancholic clarinet, mandolin, percussion and drums give… a touch of middle East… another great album from this French label. Like bonus on the cd there are 20 minutes of video includes live concert of the 2002 Love Sessions tour, scenes of the recording of Love Sessions 2, an interview with Louisa and Francesco. The multimedia element… includes full credits and lyrics.”

    — Sir Logia, Chain D.L.K., id#2723, Italy or France

    “My wife and I we are in the fairies kingdom when we are listening your music!”

    — Olivier Marchand, from Paris, Myspace, 10 February 2008, France

    “I’m always in tune with your music. Baci dall’Italia!” (after hosting LJK/Gor show in Arceto)

    — Elisabeth, LaRoseNoir, Myspace, 20 June 2008, Italy

    “It was funny watching you talking on the little multi-media track (Love Sessions 2). Very cool.” (after meeting after the show at La Loco)

    — Stephane Leguay of Paris, email, 7 June 2006, France

    “Hello Louisa… i love your voice, your ethereal and wonderful music.”

    — Ombeline, Myspace, 30 August 2008, France

    “We love your heavenly voice!”

    — Mirabilis, Myspace, 9 October 2006, USA

    “Exquisite one minute, haunting the next… I have always thought of music as …. ‘the life force’; contained in these compositions are beauty, fun, sadness, joy, yearning, finding, wonder.”

    — Ian Walker, emails / letters circa 2005 – 2008, UK

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Love Sessions Volume 1

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Ghost Fish